Narrative Culture
Narrative Culture claims narration as a broad and pervasive human practice, warranting a holistic perspective to grasp its place comparatively across time and space. Inviting contributions that document, discuss, and theorize narrative culture, the journal seeks to offer a platform that integrates approaches spread across numerous disciplines. The field of narrative culture thus outlined is defined by a large variety of forms of popular narratives, including not only oral and written texts, but also narratives in images, three-dimensional art, customs, rituals, drama, dance, music, and so forth.
Narrative Culture
Volume 6, Number 2, Fall 2019
Special Issue: Thinking with Stories in Times of Conflict
Preface
Cristina Bacchilega and Anne E. Duggan
Camera Obscura and Zoetrope: Tarsem and Magic/Reality in Transcultural Fairy-Tale Film
Pauline Greenhill
Revolutionary America from Concord and Lexington to Ferguson: Folk Transmediation of Historical Storytelling
Anne Kustritz
Rodgers and Hammerstein’s Cinderella: Agency and Possibility amidst Conflict and Wonder
Jill Terry Rudy
Disney’s Moana, the Colonial Screenplay, and Indigenous Labor Extraction in Hollywood Fantasy Films
Ida Yoshinaga
The Fag End of Fāgogo
Dan Taulapapa McMullin
Moʻolelo as Resistance: The Kaona of “Kahalaopuna” in a Colonized Environment
J. Uluwehi Hopkins
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