Jewish Film & New Media
An International Journal
Award Winner
Jewish Film & New Media provides an outlet for research into any aspect of Jewish film, television, and new media and is unique in its interdisciplinary nature, exploring the rich and diverse cultural heritage across the globe. The journal is distinctive in bringing together a range of cinemas, televisions, films, programs, and other digital material in one volume and in its positioning of the discussions within a range of contexts—the cultural, historical, textual, and many others.
Jewish Film & New Media Volume 8 Number 1 (Spring 2020)
Articles
Decoding the Documentary “Secrets of Kabbalah”: On Jewish Esoteric History and Pop Culture
Brian Ogren
The Savior and the Survivor: Virtual Afterlives in New Media
Jeffrey Shandler
Representations of Refuseniks and Soviet Jewish Emigration in GLOW: Gorgeous Ladies of Wrestling
Thaïs Miller
National Fears in Israeli Horror Films
Ido Rosen
Reviews
On Haltof’s Screening Auschwitz: Wanda Jakobowska’s The Last Stage and the Politics of Commemoration
Michał Oleszczyk
On Harris’s Warriors, Witches, Whores: Women in Israeli Cinema
Karen E. H. Skinazi
On Skorin-Kapov’s Darren Aronofsky’s Films and the Fragility of Hope and Laine’s Bodies in Pain: Emotion and the Cinema of Darren Aronofsky
Benjamin Franz
On Shandler’s Holocaust Memory in the Digital Age: Survivors’ Stories and New Media Practices
Shaina Hammerman
On Hoffman’s Ben Hecht: Fighting Words, Moving Pictures
Christopher Weedman
On Steir-Livny’s Is it OK to Laugh About It? Holocaust Humour, Satire and Parody in Israeli Culture
Nikita Lobanov
Jewish Film & New Media Volume 8 Number 2 (Fall 2020)
Articles
eva.stories: Disrespect or a Successful Change in Holocaust Memory?
Liat Steir-Livny
Funny Professors, Serious Lessons: An Analysis of the Image of Jews as Academics in Film
F.K. Schoeman and Christian K. Anderson
Multimodality in M. Kovner’s Ezekiel’s World
Ilana Elkad-Lehman
Reports
Understanding @eva.stories: Holocaust Memory in the Instagram Era
Noam Tirosh
Ruth Beckermann: Documentarian of the Present
Interview by Débora G. Kantor
Reviews
On Ceplair and Trumbo’s Dalton Trumbo and Doherty’s Show Trial
Shaun Cullen
On Lee’s Nazism and Neo-Nazism in Film and Media
Paul R. Bartrop
On Noack’s Veit Harlan
Paul R. Bartrop
On Steir-Livny’s Remaking Holocaust Memory
Yael Munk
On Toffell’s Jews, Cinema and Public Life in Interwar Britain
Jingan Young
On Slucki, Finder, and Patt’s Laughter After: Humor and the Holocaust
Elyce Rae Helford
On Helford’s What Price Hollywood
Vincent Brook
On Aarons’s Holocaust Graphic Narratives
Phyllis Lassner
On Crim’s Planet Auschwitz
Vincent Brook
On Gorbach’s The Notorious Ben Hecht
Jonathan L. Friedmann
On Cazenave’s An Archive of the Catastrophe and McGlothlin, Prager, and Zisselsberger’s The Construction of Testimony
Michael Berkowitz
On Waters’s Miriam and Youssef
Efrat Urbach and Netta Schramm
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