Framework
The Journal of Cinema and Media
Framework is an international, peer reviewed journal dedicated to theoretical and historical work on the diverse and current trends in media and film scholarship. The journal’s multicultural coverage, interdisciplinary focus, and the high caliber of its writers contributes to important interconnections between regional cinemas, practitioners, academics, critics, and students. Framework is committed to publishing articles from interdisciplinary and global perspectives.
For more information about Framework, and to access issues prior to volume 43, please visit http://www.frameworknow.com/.
Framework Volume 63, Numbers 1 & 2 (Spring/Fall 2022)
Editorial
Drake Stutesman
DOSSIER: Exquisite Historiography: Experimental and Collaborative Film Histories
Ragged Cinema: Twelve Theses on the Making of Comrades together-apart / Camarades junts-i-a-banda (Araüna Baró and David Archibald, Catalonia/Scotland, 2021) (with accompanying video)
Núria Araüna Baró and David Archibald
Textualizing YouTube: Cultivating Bonds of Community via an Online Collaborative Platform in Hong Kong
Ka Lee Wong
Commentary: Something Out of Nothing—Making Traffic in Kisses (with accompanying video)
Kiki Loveday and Susan Potter
Feminist Ironic Montage to Dismantle Gender Essentialism
Isabel Seguí and Marina Cavalcanti Tedesco
Inhabiting a Moth-Eaten Method
Anila Gill
The Life History of Juli Jones, Junior by William Foster
Allyson Nadia Field
A Montage of Surviving Images: Deportation footage in Varsovie, quand même . . . (1954) and Night and Fog (1956) (with accompanying video)
Matilda Mroz and Ivan Cerecina
Tales and Visions (video only)
MM Serra
Gauging Film History: An Exquisite Corpse
Ina Archer, Dino Everett, Marsha Gordon, and Martin Louis Johnson
DOSSIER: The New American Cinema Group in Europe: The 1960s Grand Tour and Its Afterlife
Guest Editor: Ronald Gregg
Introduction: The New American Cinema Group in Europe: The 1960s Grand Tour and its Afterlife
Ronald Gregg
Beyond the United States: Three Propositions Toward a History of New American Cinema’s Multiplicity of Sites in the 1960s
Faye Corthésy
“Without Jerome”: The Patronage of Jerome Hill and the Curating of 1960s American Experimental Work in Europe
Ronald Gregg
Underground Films in Factory Town: The New American Cinema Group Travels to Turin, Italy in 1967
Giaime Alonge
(Re)Discovering the Italian Reception of NAC Through the Archives of the Unione culturale
Claudio Panella and Silvia Nugara
Promoting and Curating US Experimental Cinema in Europe: “The Western American Experimental Film” Tour in 1963 and the New American Cinema
Miguel Fernández Labayen and John Sundholm
The Relationship between New American Cinema with the American and European Video Art Movement: A Flow of Ideas
Alessandro Amaducci
The Afterlife of New American Cinema: An Archival Perspective
Sabrina Negri
ESSAY
Exil and the Cinematic Mood of Racism
Olivia Landry
Print Subscriptions (for 1 volume year = 2 issues)
Institutions: $113.00
Individuals: $43.00
Students/Seniors: $22.00
Online Subscriptions (for 12-month access)
Institutions: Contact Project MUSE
Individuals: $43.00
Students/Seniors: $22.00
Print + Online Subscriptions (for 2 issues + 12-month access)
Institutions: Contact Project MUSE
Individuals: $56.00
Students/Seniors: $31.00
An additional $36.00 is charged for postage to addresses outside the U.S.
