A distinctive urban publisher since 1941

Wayne State University Press

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Discourse

Journal for Theoretical Studies in Media and Culture

Edited by James Leo Cahill, Luka Arsenjuk, Carl Good, Timothy Holland, and Sara Saljoughi

Subjects: Art, Cultural Studies, Film History, Film Theory and Criticism, Media Studies, Philosophy, Television Studies

Published three times per year
ISSN 1522-5321
E-ISSN 1536-1810

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Since its founding in 1979, Discourse has been committed to publishing work in the theoretical humanities with an emphasis on the critical study of film, literature, the visual arts, and related audiovisual media. The journal seeks contributions that explore the relations of these and other cultural phenomena to questions of language, philosophy, politics, psychoanalysis, history, and area studies, as well as theories of gender, race, and sexuality.

For submission and editorial information, please contact Managing Editor Emma Ben Ayoun at discourse.journal0@gmail.com or visit http://digitalcommons.wayne.edu/discourse.

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Discourse Volume 44, Number 1 (Winter 2022)

The Cinema of Racialized Attraction(s): The John C. Rice—May Irwin Kiss and Something Good—Negro Kiss
Allyson Nadia Field

A Theory of Suspended Animation: The Aesthetics and Politics of (E)motion and Stillness
Daisy Yan Du

Mother’s Milk: Returning to Cavell
Rebekah Rutkoff

Book Reviews
“Nuancing Movement and Stasis in Berlin School Films”: Review of Movement and Performance in Berlin School Cinema
Angelica Fenner

“Film’s Distribution and 1968: Radical Aspirations”: Review of 1968 and Global Cinema and Celluloid Revolt: German Screen Cultures and the Long 1968
Megan Hoetger

“Beyond the Metanarratives of Indian Cinema”: Review of Where Histories Reside: India as Filmed Space
Parichay Patra

“Hidden Materialities”: Review of Girl Head: Feminism and Film Materiality
Michele Pierson

“And Now Our Watch Begins”: Review of Unwatchable
Aurore Spiers

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