Discourse
Journal for Theoretical Studies in Media and Culture
Award Winner
Since its founding in 1979, Discourse has been committed to publishing work in the theoretical humanities with an emphasis on the critical study of film, literature, the visual arts, and related audiovisual media. The journal seeks contributions that explore the relations of these and other cultural phenomena to questions of language, philosophy, politics, psychoanalysis, history, and area studies, as well as theories of gender, race, and sexuality.
For submission and editorial information, please contact Managing Editor Emma Ben Ayoun at discourse@cinema.usc.edu or visit http://digitalcommons.wayne.edu/discourse.
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Discourse Volume 43, Number 2 (Spring 2021)
Special Issue: The Edges of the World: Politics and Life
Guest Editor Tatjana Gajic
An Excess of Visibility, a Scarcity of Water
Adriana Johnson
Desistance: Literature and the Logic of Life
Sergio Villalobos-Ruminott
Edges of the Swarm: The World in Flux in Pilar Adón’s Las efímeras
Tatjana Gajic
Beyond Work: Life, Death, and Reproduction and the Postwork Society
Matías Beverinotti
Flows of Breath: Oscar Muñoz’s Unfolding Images
Isabella Vergara
Book Review
Facing the Hour of Your Death: Review of Killing Times: The Temporal Technology of the Death Penalty
Ahmet Yuce
Contributors
Print Subscriptions (for 1 volume year = 3 issues)
Institutions: $180.00
Individuals: $60.00
Students/Seniors: $33.00
Online Subscriptions (for 12-month access)
Institutions: Contact Project MUSE
Individuals: $60.00
Students/Seniors: $33.00
Print + Online Subscriptions (for 3 issues + 12-month access)
Institutions: Contact Project MUSE
Individuals: $75.00
Students/Seniors: $47.00
An additional $54.00 is charged for postage to addresses outside the U.S.
The following issues are available in print:
43.2: The Edges of the World: Politics and Life
43.1
42.3
42.1-2: Cinema, Modernism, and the Perplexing Methods of Stanley Cavell
41.2-3: In Honor of Peggy Kamuf
41.1
40.3
40.2: The Logic of Separation
40.1
39.3: Documentary Audibilities
39.2: Photoelectric Technologies of Liberation
39.1
38.3
38.2
38.1: Media and Materiality in Latin America
37.3: Science/Animation
37.1-2: Derrida and Cinema
36.3
36.2
36.1: Special Issue: After Glissant: Caribbean Aesthetics and the Politics of Relation
35.3
35.2: Special Issue: Motion Pictures: Politics of Perception
35.1
33.3
33.2: The Meaning of "Life"
33.1
32.3: Lugubrious Games
32.2: Transpositions
32.1: Benjamin in Latin America
31.3: Translation and Embodiment in National and Transnational Asian Film and Media
31.1-2: On the Genealogy of Media
30.3: Cinema and Accident
30.1-2: "Who?" or "What?"—Jacques Derrida
