Discourse
Journal for Theoretical Studies in Media and Culture
Award Winner
Since its founding in 1979, Discourse has been committed to publishing work in the theoretical humanities with an emphasis on the critical study of film, literature, the visual arts, and related audiovisual media. The journal seeks contributions that explore the relations of these and other cultural phenomena to questions of language, philosophy, politics, psychoanalysis, history, and area studies, as well as theories of gender, race, and sexuality.
For submission and editorial information, please contact Managing Editor Emma Ben Ayoun at discourse.journal0@gmail.com or visit http://digitalcommons.wayne.edu/discourse.
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Discourse Volume 44, Number 1 (Winter 2022)
The Cinema of Racialized Attraction(s): The John C. Rice—May Irwin Kiss and Something Good—Negro Kiss
Allyson Nadia Field
A Theory of Suspended Animation: The Aesthetics and Politics of (E)motion and Stillness
Daisy Yan Du
Mother’s Milk: Returning to Cavell
Rebekah Rutkoff
Book Reviews
“Nuancing Movement and Stasis in Berlin School Films”: Review of Movement and Performance in Berlin School Cinema
Angelica Fenner
“Film’s Distribution and 1968: Radical Aspirations”: Review of 1968 and Global Cinema and Celluloid Revolt: German Screen Cultures and the Long 1968
Megan Hoetger
“Beyond the Metanarratives of Indian Cinema”: Review of Where Histories Reside: India as Filmed Space
Parichay Patra
“Hidden Materialities”: Review of Girl Head: Feminism and Film Materiality
Michele Pierson
“And Now Our Watch Begins”: Review of Unwatchable
Aurore Spiers
Contributors
Print Subscriptions (for 1 volume year = 3 issues)
Institutions: $180.00
Individuals: $60.00
Students/Seniors: $33.00
Online Subscriptions (for 12-month access)
Institutions: Contact Project MUSE
Individuals: $60.00
Students/Seniors: $33.00
Print + Online Subscriptions (for 3 issues + 12-month access)
Institutions: Contact Project MUSE
Individuals: $75.00
Students/Seniors: $47.00
An additional $54.00 is charged for postage to addresses outside the U.S.
The following issues are available in print:
43.3
43.2: The Edges of the World: Politics and Life
43.1
42.3
42.1-2: Cinema, Modernism, and the Perplexing Methods of Stanley Cavell
41.2-3: In Honor of Peggy Kamuf
41.1
40.3
40.2: The Logic of Separation
40.1
39.3: Documentary Audibilities
39.2: Photoelectric Technologies of Liberation
39.1
38.3
38.2
38.1: Media and Materiality in Latin America
37.3: Science/Animation
37.1-2: Derrida and Cinema
36.3
36.2
36.1: Special Issue: After Glissant: Caribbean Aesthetics and the Politics of Relation
35.3
35.2: Special Issue: Motion Pictures: Politics of Perception
35.1
33.3
33.2: The Meaning of "Life"
33.1
32.3: Lugubrious Games
32.2: Transpositions
32.1: Benjamin in Latin America
31.3: Translation and Embodiment in National and Transnational Asian Film and Media
31.1-2: On the Genealogy of Media
30.3: Cinema and Accident
30.1-2: "Who?" or "What?"—Jacques Derrida
