Discourse
Journal for Theoretical Studies in Media and Culture
Award Winner
Since its founding in 1979, Discourse has been committed to publishing work in the theoretical humanities with an emphasis on the critical study of film, literature, the visual arts, and related audiovisual media. The journal seeks contributions that explore the relations of these and other cultural phenomena to questions of language, philosophy, politics, psychoanalysis, history, and area studies, as well as theories of gender, race, and sexuality.
For submission and editorial information, please contact Managing Editor Emma Ben Ayoun at discourse@cinema.usc.edu or visit http://digitalcommons.wayne.edu/discourse.
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Discourse Volume 42, Numbers 1-2 (Winter/Spring 2020)
SPECIAL ISSUE: Cinema, Modernism, and the Perplexing Methods of Stanley Cavell
Edited by Jennifer Fay and Daniel Morgan
Introduction
Jennifer Fay and Daniel Morgan
The World Heard
Kyle Stevens
Between Scylla and Charybdis: Toward a Viable Medium Specificity
Kathleen Kelley
Attending to Film: The World Viewed and Cinematic Political Thinking
Davide Panagia
Must We Mean What We Film? Stanley Cavell and the Candid Camera
Jennifer Fay
When There’s No More Room in Hell, Should We Read Stanley Cavell?
James McFarland
Turning to Nature: Cavell and Experimental Cinema
Dave Burnham
Modernist Investigations: A Reading of The World Viewed
Daniel Morgan
Modernizing the Movie Theater: Review of The Optical Vacuum: Spectatorship and Modernized American Theater Architecture by Jocelyn J. Szczepaniak-Gillece
Marsha Gordon
Complicating the “Good War”: Review of Destructive Sublime: World War II in American Film and Media by Tanine Allison
Eileen Rositzka
Do Borgesians Dream of Transcendent Totality?: Review of Tar for Mortar: “The Library of Babel” and the Dream of Totality by Jonathan Basile
Sarah Warren
Contributors
Print Subscriptions (for 1 volume year = 3 issues)
Institutions: $180.00
Individuals: $60.00
Students/Seniors: $33.00
Online Subscriptions (for 12-month access)
Institutions: Contact JSTOR
Individuals: $60.00
Students/Seniors: $33.00
Print + Online Subscriptions (for 3 issues + 12-month access)
Institutions: Contact JSTOR
Individuals: $75.00
Students/Seniors: $47.00
An additional $48.00 is charged for postage to addresses outside the U.S.
The following issues are available in print:
42.1-2: Cinema, Modernism, and the Perplexing Methods of Stanley Cavell
41.2-3: In Honor of Peggy Kamuf
41.1
40.3
40.2: The Logic of Separation
40.1
39.3: Documentary Audibilities
39.2: Photoelectric Technologies of Liberation
39.1
38.3
38.2
38.1: Media and Materiality in Latin America
37.3: Science/Animation
37.1-2: Derrida and Cinema
36.3
36.2
36.1: Special Issue: After Glissant: Caribbean Aesthetics and the Politics of Relation
35.3
35.2: Special Issue: Motion Pictures: Politics of Perception
35.1
33.3
33.2: The Meaning of "Life"
33.1
32.3: Lugubrious Games
32.2: Transpositions
32.1: Benjamin in Latin America
31.3: Translation and Embodiment in National and Transnational Asian Film and Media
31.1-2: On the Genealogy of Media
30.3: Cinema and Accident
30.1-2: "Who?" or "What?"—Jacques Derrida
