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Discourse

Journal for Theoretical Studies in Media and Culture

Edited by James Leo Cahill, Carl Good, and Timothy Holland

Subjects: Art, Cultural Studies, Film History, Film Theory and Criticism, Media Studies, Philosophy, Television Studies

Published three times per year
ISSN 1522-5321
E-ISSN 1536-1810

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Discourse explores a variety of topics in contemporary cultural studies, theories of media and literature, and the politics of sexuality, including questions of language and psychoanalysis. The journal publishes valuable and innovative essays on a wide range of cultural phenomena, promoting theoretical approaches to literature, film, the visual arts, and related media.

For submission and editorial information, please contact Managing Editor Emma Ben Ayoun at discourse@cinema.usc.edu or visit http://digitalcommons.wayne.edu/discourse.

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Discourse Volume 40, Number 3 (Fall 2018)

Mad Men and Mindfulness
Niels Niessen

The Inaudibility of Contemporary Technics: Carsten Nicolai’s Telefunken
Ian Kennedy

Dossier: Horror and the Aesthetics of Landscape

Introduction
Eugenie Brinkema and Adam Lowenstein

What Do We Do with Vacant Space in Horror Films?
Karl Schoonover

A Detroit Landscape with Figures: The Subtractive Horror of It Follows
Adam Lowenstein

Strangers by Lakes: 1 or 2 or 4 or 5 or 10
Eugenie Brinkema

Book Reviews

Cinematic Violence Isn’t Violent Enough: Review of The Grace of Destruction: A Vital Ethology of Extreme Cinemas by Elena del Río
Cameron Kunzelman

Supplementing Film Theory: Review of Cinematic Interfaces: Film Theory after New Media by Seung-hoon Jeong
Héctor G. Castaño

Contributors

Print Subscriptions (for 1 volume year = 3 issues)

Institutions: $180.00
Individuals: $60.00
Students/Seniors: $33.00

 

Online Subscriptions (for 12-month access)

Institutions: Contact JSTOR
Individuals: $60.00
Students/Seniors: $33.00

 

Print + Online Subscriptions (for 3 issues + 12-month access)

Institutions: Contact JSTOR
Individuals: $75.00
Students/Seniors: $47.00

 

An additional $48.00 is charged for postage to addresses outside the U.S.

The following issues are available in print:

40.3
40.2: The Logic of Separation
40.1

39.3: Documentary Audibilities
39.2: Photoelectric Technologies of Liberation
39.1

38.3
38.2
38.1: Media and Materiality in Latin America

37.3: Science/Animation
37.1-2: Derrida and Cinema

36.3
36.2
36.1: Special Issue: After Glissant: Caribbean Aesthetics and the Politics of Relation

35.3
35.2: Special Issue: Motion Pictures: Politics of Perception
35.1

34.2-3
34.1

33.3
33.2: The Meaning of "Life"
33.1

32.3: Lugubrious Games
32.2: Transpositions
32.1: Benjamin in Latin America

31.3: Translation and Embodiment in National and Transnational Asian Film and Media
31.1-2: On the Genealogy of Media

30.3: Cinema and Accident
30.1-2: "Who?" or "What?"—Jacques Derrida