Discourse
Journal for Theoretical Studies in Media and Culture
Award Winner
Since its founding in 1979, Discourse has been committed to publishing work in the theoretical humanities with an emphasis on the critical study of film, literature, the visual arts, and related audiovisual media. The journal seeks contributions that explore the relations of these and other cultural phenomena to questions of language, philosophy, politics, psychoanalysis, history, and area studies, as well as theories of gender, race, and sexuality.
For submission and editorial information, please contact Managing Editor Emma Ben Ayoun at discourse@cinema.usc.edu or visit http://digitalcommons.wayne.edu/discourse.
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Discourse Volume 42, Number 3 (Fall 2020)
Coming and Going: Nolot, Barthes, and the Porn Theater
Jules O’Dwyer
Looking Back and Away: Jaime Barrios’s Film Club (1968)
Jessica Gordon-Burroughs
In the Flesh: Balázs, Brakhage, and the Anatomy of Filmic Gesture
Stephan Boman
Madea Sensation: Paradox and Trans Feminist Possibilities in Tyler Perry’s Work
Nicole Erin Morse
Contact Traces: On the Creative Technology of Video Game Gore
David Rambo
Work Is Beautiful: A New Cinema Genre? Review of Salomé Aguilera Skvirsky’s The Process Genre: Cinema and the Aesthetic of Labor
Jonathan Buchsbaum
The Legacies of the Red Army Faction in Germany: Review of Christina Gerhardt’s Screening the Red Army Faction: Historical and Cultural Memory
Ryan Watson
Interpretation: Do You Dig This Crypt? Review of Ofer Eliaz’s Cinematic Cryptonymies
Fan Wu
Contributors
Print Subscriptions (for 1 volume year = 3 issues)
Institutions: $180.00
Individuals: $60.00
Students/Seniors: $33.00
Online Subscriptions (for 12-month access)
Institutions: Contact JSTOR
Individuals: $60.00
Students/Seniors: $33.00
Print + Online Subscriptions (for 3 issues + 12-month access)
Institutions: Contact JSTOR
Individuals: $75.00
Students/Seniors: $47.00
An additional $48.00 is charged for postage to addresses outside the U.S.
The following issues are available in print:
42.3
42.1-2: Cinema, Modernism, and the Perplexing Methods of Stanley Cavell
41.2-3: In Honor of Peggy Kamuf
41.1
40.3
40.2: The Logic of Separation
40.1
39.3: Documentary Audibilities
39.2: Photoelectric Technologies of Liberation
39.1
38.3
38.2
38.1: Media and Materiality in Latin America
37.3: Science/Animation
37.1-2: Derrida and Cinema
36.3
36.2
36.1: Special Issue: After Glissant: Caribbean Aesthetics and the Politics of Relation
35.3
35.2: Special Issue: Motion Pictures: Politics of Perception
35.1
33.3
33.2: The Meaning of "Life"
33.1
32.3: Lugubrious Games
32.2: Transpositions
32.1: Benjamin in Latin America
31.3: Translation and Embodiment in National and Transnational Asian Film and Media
31.1-2: On the Genealogy of Media
30.3: Cinema and Accident
30.1-2: "Who?" or "What?"—Jacques Derrida
