A Quarterly for Literature and the Arts
Criticism provides a forum for current scholarship on literature, media, music, and visual culture. A place for rigorous theoretical and critical debate as well as formal and methodological self-reflexivity and experimentation, Criticism aims to present contemporary thought at its most vital.
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Criticism Volume 61, Number 1, Winter 2019
My Chapter Upon Lines: Motion, Deviation, and Lineation in Eighteenth-Century British Aesthetics
Scott R. MacKenzie
Mood, Provisionality, and Planetarity in Mary Wollstonecraft's A Short Residence in Sweden, Norway, and Denmark
Enit Karafili Steiner
Modernism as Gesture: The Experience of Music, Samuel Beckett, and Performed Bewilderment
Lyric Noise: Lisa Robertson, Claudia Rankine, and the Phatic Subject of Poetry in the Mass Public Sphere
Elizabeth Duquette on Sensational Internationalism: The Paris Commune and the Remapping of American Memory in the Long Nineteenth Century by J. Michelle Coghlan
Matt Seybold on Poet-Critics and The Administration of Culture by Evan Kindley
Eliza Steinbock on Cinema’s Bodily Illusions: Flying, Floating, and Hallucinating by Scott C. Richmond
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