A Quarterly for Literature and the Arts
Criticism provides a forum for current scholarship on literature, media, music, and visual culture. A place for rigorous theoretical and critical debate as well as formal and methodological self-reflexivity and experimentation, Criticism aims to present contemporary thought at its most vital.
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Criticism Volume 59, Number 4, Fall 2017
Reading Color: Looking through Language in Warhol
Tempestuous Life: Ralegh's Ocean in Ruins
Re-Listening to Virginia Woolf: Sound Transduction and Private Listening in Mrs. Dalloway
Some Stylistic Considerations of Free Indirect Discourse in Film Adaptations of Flaubert's Madame Bovary
The Metamorphoses of Empire in the Arthurian Tradition
Eats Well with Others: Culinary Skepticism in As You Like It and Montaigne's "Of Experience"
David B. Goldstein
Shelia Liming on Forms: Whole, Rhythm, Hierarchy, Network by Caroline Levine
Ned Schantz on Melodrama: An Aesthetics of Impossibility by Jonathan Goldberg
Karen Weisman on Art's Undoing: In the Wake of a Radical Aestheticism by Forest Pyle
Vincent Haddad on Track Changes: A Literary History of Word Processing by Matthew G. Kirschenbaum
Criticism Volume 60, Number 1, Winter 2018
Ghost-Righting: The Spectral Ethics and Haunted Spouses of Richard Linklater's Before Trilogy
Jane Austen's "Evelyn" and the "Impossibility of the Gift"
Regicide on Repeat: The Pensive Spectator of Rebecca West's Black Lamb and Grey Falcon
The Permissible Narratives of Human Rights, or, How to Be a Refugee
"So Strange in Quality": Perception, Realism, and Commodification in The Roaring Girl
Colin Gardner on Art and Politics: Between Purity and Propaganda by Joes Segal
Onno Oerlemans on Natures in Translation: Romanticism and Colonial Natural History by Alan Bewell
Jon Davies on Before Pictures by Douglas Crimp
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