Criticism
A Quarterly for Literature and the Arts
Award Winner
Criticism provides a forum for current scholarship on literature, media, music, and visual culture. A place for rigorous theoretical and critical debate as well as formal and methodological self-reflexivity and experimentation, Criticism aims to present contemporary thought at its most vital.
For submission and editorial information please contact Criticism at criticism.at.wayne@gmail.com or visit http://digitalcommons.wayne.edu/criticism
Check out our Facebook page here!
Criticism Volume 63, Numbers 1&2, Winter–Spring 2021
Beyond Canonicity: The Future(s) of Early Modern Women Writers
Jaime Goodrich and Paula McQuade
Manifestos
Loss and Longevity: Rhetorics and Tactics of Early Modern Women's Writing
Marie-Louise Coolahan
Is There Room for Judith Shakespeare and Her Brother, Too?
Erin A. McCarthy
How Race Might Help Us Find "Lost" Women's Writing
Joyce MacDonald
“Undisciplined”: Early Modern Women's Writing and the Urgency of Scholarly Activism
Kimberly Anne Coles
What Were Women Writers?
Melissa E. Sanchez
Theories, Methods, and Cases
Reading Milton Like a Woman
Sarah Kunjummen
Reading Marguerite de Navarre: An Aged Professor's Meditation
Anne Lake Prescott
Race Thinking in Margaret Cavendish's Drama
Sujata Iyengar
Between Women: Archival and Theoretical Methods in Early Modern Women's Writing
Christopher Shirley
From the Archive to the Classroom
Hidden in Plain Sight: Editing and (Not) Canonizing Early Modern Women's Writing
Paul Salzman
The Renaissance Women's Canon, Past, Present, and Future
Steven W. May
Unconventional Experiments: Teaching Early Modern Women Writers
Victoria E. Burke
Teaching Women Writers in a "Great Books" Program
Micheline White
Utopian Vistas
The Presence of the Now
Patricia Demers
A Small Room with Large Windows
Sarah C. E. Ross
Reviews
Amy L. Tigner on Tasting Difference: Food, Race, and Cultural Encounters in Early Modern Literature by Gitanjali G. Shahani
Martine van Elk on Mary Wroth’s Poetry: An Electronic Edition, The Pulter Project: Poet in the Making, and Margaret Cavendish’s Poems and Fancies: A Digital Critical Edition
Print Subscriptions (for 1 volume year = 4 issues)
Institutions: $200.00
Individuals: $66.00
Students/Seniors: $32.00
Online Subscriptions (for 12-month access)
Institutions: Contact Project MUSE
Individuals: $66.00
Students/Seniors: $32.00
Print + Online Subscriptions (for 4 issues + 12-month access)
Institutions: Contact Project MUSE
Individuals: $80.00
Students/Seniors: $42.00
An additional $68.00 is charged for postage to addresses outside the U.S.
The following issues are available in print:
63.1-2: The Future(s) of Early Modern Women Writers
62.4
62.3: Renaissance Posthumanism and Its Afterlives
62.2
62.1
61.4: Theories of the Nineteenth Century
61.3
61.2
61.1
57.4: The Avant-Garde at War
57.3
57.2: Critical Air Studies
57.1
56.4
56.3: Andy Warhol
56.2: Jack Smith: Beyond the Rented World
56.1
54.4
54.3: Shakespeare and Phenomenology
54.2
54.1
53.4: Transcultural Negotiations of Holocaust Memory
53.3: Open Source
53.2
53.1
52.3-4: The Wire
52.2: Honoring Eve: A Special Issue on the Work of Eve Kosofsky Sedgwick
52.1
AAUP Book, Jacket, and Journal Show, 2011
