Criticism
A Quarterly for Literature and the Arts
Criticism provides a forum for current scholarship on literature, media, music, and visual culture. A place for rigorous theoretical and critical debate as well as formal and methodological self-reflexivity and experimentation, Criticism aims to present contemporary thought at its most vital.
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Criticism Volume 63, Number 4, Fall 2021
Peter Hujar: Shamelessness Without Shame
Harrison Adams
Narrating General Performance: Art, Life, and Labor in Nina Weijers's The Consequences and Tom McCarthy's Satin Island
Stephan Besser
From New Criticism to Postcritique: Kate Millett's Method in the History of the Present
Leah Claire Allen
Nature, Capitalism, and the Temporalities of Sleep: On Karen Thompson Walker's The Dreamers
Greg Forter
Reviews
Kazuki Yamada on The Book of Minor Perverts: Sexology, Etiology, and the Emergences of Sexuality by Benjamin Kahan
Lee Y. Weeks Jr. on Intersectionality as Critical Social Theory by Patricia Hill Collins
J. D. Porter on Distant Horizons: Digital Evidence and Literary Change by Ted Underwood
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The following issues are available in print:
63.4
63.3
63.1-2: The Future(s) of Early Modern Women Writers
62.4
62.3: Renaissance Posthumanism and Its Afterlives
62.2
62.1
61.4: Theories of the Nineteenth Century
61.3
61.2
61.1
57.4: The Avant-Garde at War
57.3
57.2: Critical Air Studies
57.1
56.4
56.3: Andy Warhol
56.2: Jack Smith: Beyond the Rented World
56.1
54.4
54.3: Shakespeare and Phenomenology
54.2
54.1
53.4: Transcultural Negotiations of Holocaust Memory
53.3: Open Source
53.2
53.1
52.3-4: The Wire
52.2: Honoring Eve: A Special Issue on the Work of Eve Kosofsky Sedgwick
52.1
AAUP Book, Jacket, and Journal Show, 2011