Film Theory and Criticism

A reissued classic that examines the structure and themes of each of Hitchcock’s British feature films.

An in-depth look at the portrayal of Asian characters by non-Asian actors in classical Hollywood film.

Considers the films of Michael Haneke, who has emerged as a major figure in world cinema over the last fifteen years.

Illustrates the rich relationship between film history and feminist theory.

Highlights the industries, markets, identities, and histories that distinguish cinema beyond the traditional hubs of mainstream Western cinema.

Analyzes the films and filmmaking career of director Hal Ashby, placing his work in the cultural context of filmmaking in the 1970s.

Studies the cultural impact and audience reception of King Kong from the 1933 release of the original film until today.

Collects all published film criticism by Andrew Britton, a singular voice in film studies whose promising career was cut short by his untimely death.

By considering the screenplay as a literary object worthy of critical inquiry, this volume breaks new ground in film studies.