Film Theory and Criticism

Extensive account of the cameo’s production history and how audiences affirm their mastery of celebrity culture.

Brings to light Scola’s cinematic style and contextualizes his commentary on Italian society and politics.

Examines the fascinating ties between Surrealist artist René Magritte and the cinema.

Germany’s most important filmmaking movement in conversation with its peers across the globe.

Explores the significance of the heist film genre.

Discussion of international culture and politics in Hollywood films from the mid-1930s to 1960s.

Blackness Is Burning critiques the way the politics of recognition and representation appear in popular culture as attempts to "humanize" black identity through stories of suffering and triumph or tales of destruction and survival.

Examines how psychological and physical suffering, as portrayed on screen and experienced in personal lives, has affected the images, performances, and fortunes of stars from the 1940s to the present.

Examines how uncanny films of the Weimar Republic engage with and respond to changing gender norms and women’s emancipation.