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New Latin American Cinema, Volume 2

Studies of National Cinemas

Edited by Michael T. Martin

By WSU Faculty, Film History, Film Theory and Criticism, Latin American Studies, World Cinema

Contemporary Approaches to Film and Media Series

Paperback
Published: June 1997
ISBN: 9780814325865
Pages: 544 Size: 6x9
$29.99
Review

Martin's ambitious two-volume anthology offers English-speaking readers an unmatched panorama across thirty years of New Latin American Cinema as sociopolitical program, creative experiement, and historical achievement.

— Julianne Burton-Carvajel

Mapping the historical and cultural contexts of film practices in Latin America, this two-volume collection of programmatic statements, esays and interviews is devoted to the study of a theorized, dynamic and unfinished cinematic movement. Forged by Latin America's post-colonial environment of underdevelopment and dependency, the New Latin American Cinema movement has sought to inscribe itself in Latin America's struggles for cultural and economic autonomy.

This volume comprises essays on the development of the New Latin American Cinema as a comparative national project. Essays are grouped by nation into two regions - Middle and Central America and Caribbean and South America - for comparitive study, particularly between capitalist and post-revolutionary socialist formations. The selected essays examine the relationship between cinema and nationhood and the ambiguous categories of culture, identity and nation within the socio-historical specificities of the movement's development, especially in Cuba, Brazil, Mexico, Chile and Argentina. This collection will serve as an essential reference and research tool for the study of world cinema. The collection, while celebrating the diversity and innovation of the New Latin American Cinema, explicates the historical importance of filmmaking as a cultural form and political practice in Latin America.

MIchael T. Martin is a professor and chair of the Department of Africana Studies at Wayne State University. He is the co-editor of Studies of Development and Change in the Modern World and the director and co-producer of the award-winning documentary, In the Absence of Peace. He received his Ph.D. from the University of Massachusetts at Amherst.

Contributors Include:
Timothy Barnard, Catherine L. Benamou, Charles Berg, Julianne Burton, Marvin D'Lugo, Carlos Diegues, David William Foster, Paulo Emílio Salles Gomes, John Hess, Randal Johnson, John King, David R. Maciel, Michael T. Martin, Carl J. Mora, Frances Negrón-Muntaner, Paulo Antonio Paranaguá, Zuzana M. Pick, John Ramírez, Glauber Rocha, Robert Stam, Ismail Xavier

Martin's ambitious two-volume anthology offers English-speaking readers an unmatched panorama across thirty years of New Latin American Cinema as sociopolitical program, creative experiement, and historical achievement.

– Julianne Burton-Carvajel, University of California at Santa Cruz