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Wayne State University Press

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Published: December 2013
ISBN: 9780814335147
Pages: 296 Size: 6x9
Illustrations: 20 black and white images
Published: December 2013
ISBN: 9780814339244

Strikingly beautiful and exceptionally talented, Montgomery Clift was at the peak of his fame in 1956 when a devastating car crash nearly destroyed his face. While this traumatic event robbed him of his heartthrob status and turned him into a somewhat disturbing, socially alienated character, author Elisabetta Girelli argues that Clift had always combined on-screen erotic ambiguity with real-life sexual nonconformity. In Montgomery Clift, Queer Star she maps the development of Clift's subversive image over the span of his entire career, approaching Clift as a queer signifier who defied normative cultural structures.

From the sexually ambivalent "beautiful boy" of his early films, to the seemingly asexual, transgressive, and often distressed man of his last years, Girelli argues that Clift shows remarkable consistency as a star: his presence always challenges established notions of virility, sexuality, and bodily "normality." Girelli's groundbreaking analysis uses queer theory to assess Clift's disruptive legacy, engaging with key critical concepts such as the closet, performativity, queer shame, crip theory, and queer temporality. She balances theoretical frameworks with extensive close readings of his performances and a consideration of how Clift's personal life, and public perceptions of it, informed his overall image as a deviant star and man.

Montgomery Clift, Queer Star offers a comprehensive critical assessment of Clift through classic texts of queer criticism, as well as new interventions in the field. Scholars of gender and film, performance studies, queer and sexuality studies, and masculinity studies will appreciate this compelling study.

Elisabetta Girelli is a lecturer in film studies at the University of St. Andrews. She is the author of Beauty and the Beast: Italianness in British Cinema and of several scholarly articles on issues of identity, space, and history in film.

Girelli does a heroically astute job of offering detailed analyses of Clift’s post-accident films. . . She points out that "a new queerness" awaits discovery in these later films, and indeed her analysis leads one to seek them out anew. . . Love, in all of its myriad forms, is in the air throughout this complexly conceived, thoroughly engaging, and provocative book.

– David Greven, Jump Cut

The breadth of Girelli’s theoretical knowledge and the care with which she marries queer theory with detailed analyses of Clift’s filmography allow Montgomery Clift: Queer Star to be a productive addition to queer star studies. It is a testament to both her analytic intelligence and clear passion for her subject that it will be difficult for me to watch a Montgomery Clift performance and not think of the subtleties of erotic ambivalence and gender disruption that Girelli illuminates throughout her book.

– Matthew Connolly, The Velvet Light Trap

Expertly researched, carefully considered, and richly, lovingly written, Montgomery Clift: Queer Star presents an important, engaging, and rewarding contribution to film studies and queer studies.

– Ken Feil, The Journal of American Culture

Elisabetta Girelli has written an elegant, illuminating book on one of Hollywood's most iconic male stars. Her sharp, thoroughly researched and theoretically informed analysis of Clift's enigmatic persona delivers fresh insights into the full range of his films. Eroticised and pained in early roles and, in later ones, more conflicted and alienated, Clift's ambiguous screen presence is persuasively read as a challenge to dominant contemporary norms and ideals of selfhood.

– Peter William Evans, Queen Mary, University of London

This eloquently written volume was often difficult for me to put down; I found it very engaging. It has clarity, precision, and focus, building well on work that has come before. It is destined to become the definitive scholarly work on Montgomery Clift.

– Christina Lane, associate professor of film studies at the University of Miami