Pages: 128 Size: 5 x 7
Illustrations: 12 b&w illus.
Pages: 128 Size: EPUB
Illustrations: 12 b&w illus.
This volume's significant contribution is its careful contextualization of The Fugitive's themes and preoccupations with the socio-cultural anxieties percolating in 1960s America.”
— Aniko Bodroghkozy
Televisions longest-running chase story, The Fugitive was a dramatically charged show that followed Dr. Richard Kimble on his quest to prove his innocence and find his wifes one-armed killer. A product of veteran television producer-writer Roy Huggins (Maverick, The Rockford Files) and Quinn Martin, a newcomer producer, the series aired for four seasons between 1963 and 1967 on the ABC network. In The Fugitive, author David P. Pierson examines the creation of the series and its dominant social discourses and themes, along with the industry producers, writers, and actors who made it one of the most memorable and influential shows in 1960s American television.
In The Fugitive, Pierson discusses the context of the series creation at a time when federal regulators were forcing the three major television networks to broadcast adult programs with less physical violence. Pierson also offers a unique analysis of the major themes represented in The Fugitives episodes, such as individualism, love and marriage, the culture of professionalism, modern science and technology, and social justice and authority, along with how these themes connected to ongoing social and cultural struggles taking place in American society in the 1960s. The book explores the reasons why The Fugitive was so popular with audiences of the 1960s, and suggests that one of the strongest appeals of the series is the memorable, poignant performance by David Janssen as Richard Kimble. Pierson also argues that The Fugitive established the narrative and thematic grounds for the "wanderer-redeemer television tradition," whose influence he links to later series like Run for Your Life, Then Came Bronson, The Incredible Hulk, Highway to Heaven, Quantum Leap, and Touched by an Angel. Pierson concludes by examining the similarities and differences between The Fugitive and the 1993 feature film based on the series.
After a finale that held the record for the highest share of American homes with television sets tuned in, the series ended, but not without creating a cultural and programming legacy. Fans of the show and scholars of television history and American popular culture will enjoy this informative study.
Pierson makes a major contribution to the study of American dramatic television in the 1960s. The Fugitive is well researched and makes use of both television studies and sociology literature quite well."
– Walter Metz, author of Bewitched (Wayne State University Press, 2007)
This volume's significant contribution s its careful contextualization of The Fugitive's themes and preoccupations with the socio-cultural anxieties percolating in 1960s America. The author argues that The Fugitive gave a rather dark vision of American society in a period often marked by liberal optimism about the possibilities of institutional reform. Through careful historical contextualization and close textual analysis, the author places this iconic series back into its time and place."
– Aniko Bodroghkozy, associate professor of media studies at the University of Virginia and author of Equal Time: Television and the Civil Rights Movement and Groove Tube: Sixties Television and the Youth Rebellion