A distinctive urban publisher since 1941

Wayne State University Press

0 items


The Journal of Cinema and Media

Edited by Drake Stutesman

Subjects: Film History, Film Theory and Criticism, Filmmakers, Media Studies, Performance Studies, World Cinema

Published two times per year
ISSN 0306-7661
E-ISSN 1559-7989

Submit to Framework
Purchase Individual Articles

Framework is an international, peer reviewed journal dedicated to theoretical and historical work on the diverse and current trends in media and film scholarship. The journal’s multicultural coverage, interdisciplinary focus, and the high caliber of its writers contributes to important interconnections between regional cinemas, practitioners, academics, critics, and students. Framework is committed to publishing articles from interdisciplinary and global perspectives.

For more information about Framework, please visit http://www.frameworknow.com/

Framework Volume 57, Number 2 (Fall 2016)

Drake Stutesman

When the Movie Is Better Than the Book: Fight Club, Consumption, and Vital Signs
Teresa Heffernan

The Film That Almost Was: John Fowles's "The Black Thumb" and His Collaboration with David Tringham
Michelle Phillips Buchberger

Orpheus of Nitrate: The Emergence of Bill Morrison
Scott MacDonald

Jean-Louis Comolli's Secret Life as a Free Jazz Critic/Thinking Free Jazz as an Avant-Garde of the Masses
Matthias Mushinski

Criminalizing Dissent: Western State Repression, Video Activism, and Counter-Summit Protests
Chris Robé

To find out when the next issue will be available, see the Journals Publication Schedule.

Framework Volume 58, Numbers 1 & 2 (Spring/Fall 2017)

Drake Stutesman

The Animal Logic of Contemporary Greek Cinema
Rosalind Galt

DOSSIER: French Cinema at the Margins: Forgotten Sites, Practices, and Discourses, 1920–1960

Introduction: French Cinema at the Margins
Eric Smoodin, Guest Editor

Cinephiles and Children: Discourses and Practices of Cinema Education in 1920s Paris
Annie Fee

Toward a History of French Ecocinema: Nature in Dimitri Kirsanoff’s Modernity
Brian Jacobson

For a Concrete Aesthetics: Against Avant-Garde Films c. 1930
Jennifer Wild

“To Show the People in Paris How We Live Here”: Working-Class Representation, Paul Carpita, and Film History
Sabine Haenni

“The Last Amateurs of Pure Cinema”: Ciné-Clubs and French Film Culture, 1930–1945
Eric Smoodin


Star Gazing via Documentary
Priyadarshini Shanker

DOSSIER: The Fan as Doppelgänger

Anupama Kapse and Meheli Sen, Guest Editors

Fan and its Paratexts
Monika Mehta

Embodiment and Stardom in Shahrukh Khan’s Fan
Neepa Majumdar

Doubling Offscreen and Onscreen: Queering the Star and the Fan in Fan
Nilanjana Bhattacharjya

The Mirror of Desire: Queerness, Fan and the Riddles of Paheli
Meheli Sen

Double Trouble: SRK, Fandom and Special Effects
Anupama Kapse

Interview with Manu Anand, Director of Photography of Fan
Priyadarshini Shanker


Neither Day Nor Night: Palestine through the Lens of Peggy Ahwesh
Jenelle Troxelle

Print Subscriptions (for 1 volume year = 2 issues)

Institutions: $110.00
Individuals: $43.00
Students/Seniors: $20.00


Online Subscriptions (for 12-month access)

Institutions: Contact JSTOR
Individuals: $43.00
Students/Seniors: $20.00


Print + Online Subscriptions (for 2 issues + 12-month access)

Institutions: Contact JSTOR
Individuals: $56.00
Students/Seniors: $31.00


An additional $32.00 is charged for postage to addresses outside the U.S.



56.1: The Writings of Warren Sonbert




52.2: Things Fall Apart: Peter Whitehead Issue, Part 2
52.1: Things Fall Apart: Peter Whitehead Issue, Part 1