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Discourse

Journal for Theoretical Studies in Media and Culture

Edited by Akira Mizuta Lippit, James Leo Cahill, Carl Good, Timothy Holland, Genevieve Yue

Subjects: Art, Cultural Studies, Film History, Film Theory and Criticism, Media Studies, Philosophy, Television Studies

Published three times per year
ISSN 1522-5321
E-ISSN 1536-1810

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Discourse explores a variety of topics in contemporary cultural studies, theories of media and literature, and the politics of sexuality, including questions of language and psychoanalysis. The journal publishes valuable and innovative essays on a wide range of cultural phenomena, promoting theoretical approaches to literature, film, the visual arts, and related media.

For submission and editorial information, please contact Managing Editor Ennuri Jo at discourse@cinema.usc.edu or visit http://digitalcommons.wayne.edu/discourse.

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Discourse Volume 39, Number 3 (Fall 2017)
Documentary Audibilities
Edited by Pooja Rangan and Genevieve Yue

Audibilities: Voice and Listening in the Penumbra of Documentary: An Introduction
Pooja Rangan

Hearing Voice(s): Experiments with Documentary Listening
Irina Leimbacher

Between We and Me: Filmed Interviews and the Politics of Personal Pronouns
Paige Sarlin

Roundtable: Wild Sounds and Women’s Voices
Genevieve Yue

Documenting the Son/iconic Discord
Markos Hadjioannou

Data Visualization as Documentary Form: The Murmur of Digital Magnitude
Tess Takahashi

Do a Number: The Facticity of the Voice, or Reading Stop-and-Frisk Data
Soyoung Yoon

Science Fiction, Globalization, and “The Desire Called Utopia”: Reimagining the Future and the Ontology of Possibility: Review of Shockwaves of Possibility: Essays on Science Fiction, Globalization, and Utopia by Phillip E. Wegner
Arun Pokhrel

Contributors

To find out when the next issue will be available, see the Journals Publication Schedule.

Discourse Volume 40, Number 1 (Winter 2018)

The Accessibility of the Avant-Garde: Talk about American Experimental Cinema
Michele Pierson

Contingent Motion: Rethinking the “Wind in the Trees” in Early Cinema and CGI
Jordan Schonig 

Just Another Manic Monad: Of Glass, Bees, and Glass Bees 
Dominic Pettman

Historicizing Perception: Film Theory, Neuroscience, and the Philosophy of Mind
John Rhym 

Impossible Photographs: Images of War from Rossellini to Documentary
Domietta Torlasco

Their Satanic Majesties’ Celluloid Regret: Review of Rock ’n’ Film: Cinema’s Dance with Popular Music by David E. James
Justin J. Morris

Contributors

Print Subscriptions (for 1 volume year = 3 issues)

Institutions: $174.00
Individuals: $58.00
Students/Seniors: $32.00

 

Online Subscriptions (for 12-month access)

Institutions: Contact JSTOR
Individuals: $58.00
Students/Seniors: $32.00

 

Print + Online Subscriptions (for 3 issues + 12-month access)

Institutions: Contact JSTOR
Individuals: $70.00
Students/Seniors: $47.00

 

An additional $48.00 is charged for postage to addresses outside the U.S.

39.3: Documentary Audibilities
39.2: Photoelectric Technologies of Liberation
39.1

38.3
38.2
38.1: Media and Materiality in Latin America

37.3: Science/Animation
37.1-2: Derrida and Cinema

36.3
36.2
36.1: Special Issue: After Glissant: Caribbean Aesthetics and the Politics of Relation

35.3
35.2: Special Issue: Motion Pictures: Politics of Perception
35.1

34.2-3
34.1

33.3
33.2: The Meaning of "Life"
33.1

32.3: Lugubrious Games
32.2: Transpositions
32.1: Benjamin in Latin America

31.3: Translation and Embodiment in National and Transnational Asian Film and Media
31.1-2: On the Genealogy of Media

30.3: Cinema and Accident
30.1-2: "Who?" or "What?"—Jacques Derrida