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Discourse

Journal for Theoretical Studies in Media and Culture

Edited by James Leo Cahill, Carl Good, Timothy Holland, Genevieve Yue

Subjects: Art, Cultural Studies, Film History, Film Theory and Criticism, Media Studies, Philosophy, Television Studies

Published three times per year
ISSN 1522-5321
E-ISSN 1536-1810

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Discourse explores a variety of topics in contemporary cultural studies, theories of media and literature, and the politics of sexuality, including questions of language and psychoanalysis. The journal publishes valuable and innovative essays on a wide range of cultural phenomena, promoting theoretical approaches to literature, film, the visual arts, and related media.

For submission and editorial information, please contact Managing Editor Ennuri Jo at discourse@cinema.usc.edu or visit http://digitalcommons.wayne.edu/discourse.

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Discourse Volume 40, Number 1 (Winter 2018)

The Accessibility of the Avant-Garde: Talk about American Experimental Cinema
Michele Pierson

Contingent Motion: Rethinking the “Wind in the Trees” in Early Cinema and CGI
Jordan Schonig

Just Another Manic Monad: Of Glass, Bees, and Glass Bees
Dominic Pettman

Historicizing Perception: Film Theory, Neuroscience, and the Philosophy of Mind
John Rhym

Impossible Photographs: Images of War from Rossellini to Documentary
Domietta Torlasco

Their Satanic Majesties’ Celluloid Regret: Review of Rock ’n’ Film: Cinema’s Dance with Popular Music by David E. James
Justin J. Morris

Contributors

To find out when the next issue will be available, see the Journals Publication Schedule.

 

Print Subscriptions (for 1 volume year = 3 issues)

Institutions: $174.00
Individuals: $58.00
Students/Seniors: $32.00

 

Online Subscriptions (for 12-month access)

Institutions: Contact JSTOR
Individuals: $58.00
Students/Seniors: $32.00

 

Print + Online Subscriptions (for 3 issues + 12-month access)

Institutions: Contact JSTOR
Individuals: $70.00
Students/Seniors: $47.00

 

An additional $48.00 is charged for postage to addresses outside the U.S.

40.1

39.3: Documentary Audibilities
39.2: Photoelectric Technologies of Liberation
39.1

38.3
38.2
38.1: Media and Materiality in Latin America

37.3: Science/Animation
37.1-2: Derrida and Cinema

36.3
36.2
36.1: Special Issue: After Glissant: Caribbean Aesthetics and the Politics of Relation

35.3
35.2: Special Issue: Motion Pictures: Politics of Perception
35.1

34.2-3
34.1

33.3
33.2: The Meaning of "Life"
33.1

32.3: Lugubrious Games
32.2: Transpositions
32.1: Benjamin in Latin America

31.3: Translation and Embodiment in National and Transnational Asian Film and Media
31.1-2: On the Genealogy of Media

30.3: Cinema and Accident
30.1-2: "Who?" or "What?"—Jacques Derrida