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Criticism

A Quarterly for Literature and the Arts

Edited by Jaime Goodrich

Subjects: Art, Cultural Studies, Gender, Language and Literature, Literary Criticism and Theory, Music, Popular Culture, Women's Studies

Published four times per year
ISSN 0011-1589
E-ISSN 1536-0342

H-Index: 14

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Criticism provides a forum for current scholarship on literature, media, music, and visual culture. A place for rigorous theoretical and critical debate as well as formal and methodological self-reflexivity and experimentation, Criticism aims to present contemporary thought at its most vital.

For submission and editorial information please contact Criticism at criticism.at.wayne@gmail.com or visit http://digitalcommons.wayne.edu/criticism

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Criticism Volume 58, Number 4, Fall 2016

An Atlas of Allusions: The Perverse Methods of Guy Debord's Mémoires
Ella Mudie

Cadaverous Intimacies: Disgust, Desire, and the Corpse in Edgar Allan Poe's “Valdemar”
Suzanne Ashworth

The Ghost in the Machine: Emotion and Mind–Body Union in Hamlet and Descartes
Michael Slater

New Bourgeoisie, Old Bodies: Performing Post–Civil Rights Black Privilege in Tar Baby and School Daze
Candice M. Jenkins

Corporatizing Life in a World System with Thomas Pynchon: “Networks of Interest” and Dispersed Organization
J. Paul Narkunas

Reviews

Kristin Flieger Samuelian on Enlightened Sentiments: Judgment and Autonomy in the Age of Sensibility by Hina Nazar

Stephen Schryer on Hollywood Melodrama and the New Deal: Public Daydreams by Anna Siomopoulos

Anne Freadman on Conversations on Peirce: Reals and Ideals by Douglas R. Anderson and Carl R. Housman

John Corso Esquivel on The Ethics of Earth Art by Amanda Boetzkes

To find out when the next issue will be available, see the Journals Publication Schedule.

Criticism Volume 59, Number 1, Winter 2017

"Every Day You Are a New Person": Narration and Cosmopolitan Universalism in Jean Rhys's After Leaving Mr. Mackenzie
Jason R. Marley

Photography from the Inside Out: Robert Frank's Memorial Images
Benjamin Pollak

Charles Reznikoff's 1934 Testimony and the Idiom of American Violence
Justin Parks

Psychoanalytic Thinking and the Sexual Politics of Style
Scott St. Pierre

Touching Time: Poetry, History and the Erotics of Yiddish
Zohar Weiman-Kelman

Reparative Social Media: Resonance and Critical Cosmopolitanism in Digital Art
Rochelle Gold

Reviews

Sarah Ruddy on Queer Pollen: White Seduction, Black Male Homosexuality, and the Cinematic by David A. Gerstner

James J. Hodge on Testing the Limit: Derrida, Levinas, Henry, and the Phenomenological Tradition by François-David Sebbah

Elizabeth Mazzola on Blood and Home in Early Modern Drama: Domestic Identity on the Renaissance Stage by Ariane M. Balizet

Collin Gardner on What Animals Teach Us about Politics by Brian Massumi

Roel van den Oever on Sex, or the Unbearable by Lauren Berlant and Lee Edelman

 

Print Subscriptions (for 1 volume year = 4 issues)

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Individuals: $65.00
Students/Seniors: $30.00

Online Subscriptions (for 12-month access)

Institutions: Contact JSTOR
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Students/Seniors: $30.00

Print + Online Subscriptions (for 4 issues + 12-month access)

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An additional $60.00 is charged for postage to addresses outside the U.S.

58.4
58.3
58.2
58.1

57.4: The Avant-Garde at War
57.3
57.2: Critical Air Studies
57.1

56.4
56.3: Andy Warhol
56.2: Jack Smith: Beyond the Rented World
56.1

55.4
55.3
55.2
55.1

54.4
54.3: Shakespeare and Phenomenology
54.2
54.1

53.4: Transcultural Negotiations of Holocaust Memory
53.3: Open Source
53.2
53.1

52.3-4: The Wire
52.2: Honoring Eve: A Special Issue on the Work of Eve Kosofsky Sedgwick
52.1

51.4
51.3
51.2
51.1

50.4
50.3
50.2
50.1: Disco

AAUP Book, Jacket, and Journal Show, 2011