A Quarterly for Literature and the Arts
Criticism provides a forum for current scholarship on literature, media, music, and visual culture. A place for rigorous theoretical and critical debate as well as formal and methodological self-reflexivity and experimentation, Criticism aims to present contemporary thought at its most vital.
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Criticism Volume 58, Number 1, Winter 2016
In and Out, Or "The Ambiguity of the Jewel"
Black Like Malcolm: Grace Halsell's Rewriting of Black Like Me (1961) in Soul Sister (1969)
Martha J. Cutter
White Skin, Black Flag: Hardcore Punk, Racialization, and the Politics of Sound in Southern California
On the Cultural Projection of Population Crisis: The Case of The Omega Man
Digital Transcendentalism in David Mitchell's Cloud Atlas
Jonathan Crewe on The Unrepentant Renaissance: From Petrarch to Shakespeare to Milton by Richard Strier
Louis van den Hengel on Becoming Undone: Darwinian Reflections on Life, Politics, and Art by Elizabeth Grosz
Steven S. Lee on Moscow, the Fourth Rome: Stalinism, Cosmopolitanism, and the Evolution of Soviet Culture, 1931–1941 by Katerina Clark
Alina Cherry on Pictures into Words: Images in Contemporary French Fiction by Ari J. Blatt
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