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Criticism

A Quarterly for Literature and the Arts

Edited by Jaime Goodrich

Subjects: Art, Cultural Studies, Gender, Language and Literature, Literary Criticism and Theory, Music, Popular Culture, Women's Studies

Published four times per year
ISSN 0011-1589
E-ISSN 1536-0342

H-Index: 13

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Criticism provides a forum for current scholarship on literature, media, music, and visual culture. A place for rigorous theoretical and critical debate as well as formal and methodological self-reflexivity and experimentation, Criticism aims to present contemporary thought at its most vital.

For submission and editorial information please contact Criticism at criticism.at.wayne@gmail.com or visit http://digitalcommons.wayne.edu/criticism

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Criticism Volume 58, Number 2, Spring 2016

The Dialectic of War and Utopia: Systemic Closure and Embattled Social Life in the Work of Fredric Jameson
Stephen D. Carter

The Subjunctive Poetics of the Undocument: C. L. R. James's American Civilization
Laura Harris

Antitheatricality and Irrationality: An Alternative View
Kent R. Lehnhof

Moths, Photographs, and Emigrants: The Capacity for Transmigration in the Work of W. G. Sebald
Doris Chon

Binding the Void: The Erotics of Place in Antony and Cleopatra
Gillian Knoll

Eating Popcorn with Chopsticks: Revisionary Black Masculinity in Berry Gordy's The Last Dragon
Shanté Paradigm Smalls

Reviews

Fredric R. Jameson on The Structure of World History: From Modes of Production to Modes of Exchange by Kojin Karatani

Andrew Winckles on Anna Seward and the End of the Eighteenth Century by Claudia Thomas Kairoff

Holly A. Crocker on The Pain of Reformation: Spenser, Vulnerability, and the Ethics of Masculinity by Joseph Campana

To find out when the next issue will be available, see the Journals Publication Schedule.

Criticism Volume 58, Number 3, Summer 2016

Kissing A Photogaph: Reproductive Panic in Kate Chopin and Thomas Hardy
Arielle Zibrak

Thoreau's Journal or the Workshop of Being
François Specq

The Colonial Baroque in Australia: On Drover Boab Texts, Wiradjuri Clubs, and Charlie Flanningan's Drawings
Michael J. Farrell

Writing Women, Writing Wax: Metaphors of Impression—Possibilities of Agency in Shakespeare's Rape of Lucrece and Twelfth Night
Lynn M. Maxwell

By What Strange Channels: Nicholas Mosley's Literary Circuits
Abram Foley

Why is Beloved So Universally Beloved? Uncovering Our Hidden Aesthetic Criteria
Timothy R. Aubry

Reviews

Jessica Hanselman Gray on Monstrous Motherhood: Eighteenth-Century Culture and the Ideology of Domesticity by Marilyn Francus

Sharif Youssef on Are You My Mother? A Comic Drama by Alison Bechdel

Jonathan Lamb on Islanders: The Pacific in the Age of Empire by Nicholas Thomas

John Emil Vincent on Opacity and the Closet: Queer Tactics in Foucault, Barthes, and Warhol by Nicholas de Villiers

Print Subscriptions (for 1 volume year = 4 issues)

Institutions: $195.00
Individuals: $65.00
Students/Seniors: $30.00

Online Subscriptions (for 12-month access)

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An additional $60.00 is charged for postage to addresses outside the U.S.

58.2
58.1

57.4: The Avant-Garde at War
57.3
57.2: Critical Air Studies
57.1

56.4
56.3: Andy Warhol
56.2: Jack Smith: Beyond the Rented World
56.1

55.4
55.3
55.2
55.1

54.4
54.3: Shakespeare and Phenomenology
54.2
54.1

53.4: Transcultural Negotiations of Holocaust Memory
53.3: Open Source
53.2
53.1

52.3-4: The Wire
52.2: Honoring Eve: A Special Issue on the Work of Eve Kosofsky Sedgwick
52.1

51.4
51.3
51.2
51.1

50.4
50.3
50.2
50.1: Disco

AAUP Book, Jacket, and Journal Show, 2011