A Quarterly for Literature and the Arts
Criticism provides a forum for current scholarship on literature, media, music and visual culture. A place for rigorous theoretical and critical debate as well as formal and methodological self-reflexivity and experimentation, Criticism aims to present contemporary thought at its most vital.
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Criticism Volume 56, Number 4, Fall 2014
Urban Panopticism and Heterotopic Space in Kafka’s Der Process and Orwell’s Nineteen Eighty-Four
Gatsby’s Tattoo: Gesture, Tic, and Description
“We fathom you not—we love you”: Wal Whitman’s Social Ontology and Radical Democracy
The Great Criminal, the Exception, and Bare Life in James Joyce’s Ulysses
Diogenes the Cynic and Shakespeare’s Bitter Fool: The Politics and Aesthetics of Free Speech
Monstrous Intimacies: Making Post-slavery Subjects by Christina Sharpe
Kimberly Juanita Brown
California on the Breadlines: Dorothea Lange, Paul Taylor, and the Making of a New Deal Narrative by Jan Goggans
Martha Rosler: The Bowery in Two Inadequate Descriptive Systems by Steve Edwards
Pragmatic Modernism by Lisi Schoenbach
The Novel and the Sea by Margaret Cohen
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