A distinctive urban publisher founded in 1941

Wayne State University Press

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A Quarterly for Literature and the Arts

Edited by renée c. hoogland

Subjects: Art, Cultural Studies, Gender, Language and Literature, Literary Criticism and Theory, Music, Popular Culture, Women's Studies

Published four times per year
ISSN 0011-1589
E-ISSN 1536-0342

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Criticism provides a forum for current scholarship on literature, media, music and visual culture. A place for rigorous theoretical and critical debate as well as formal and methodological self-reflexivity and experimentation, Criticism aims to present contemporary thought at its most vital.

For submission and editorial information please contact Criticism at criticism.at.wayne@gmail.com or visit http://digitalcommons.wayne.edu/criticism

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Criticism Volume 56, Number 3, Summer 2014
Andy Warhol: A Special Issue Edited by Jonathan Flatley and Anthony E. Grudin

Introduction: Warhol's Aesthetics
Jonathan Flatley and Anthony E. Grudin

"My Wife": The Tape Recorder and Warhol's Queer Ways of Listening
Gustavus Stadler

Stroboscopic: Warhol and the Exploding Plastic Inevitable
Homay King

Disco, Cybernetics, and the Migration of Warhol's Shadows into Computation
Tan Lin

Personification and Consumption
Oleg Aronson

Making Money/Printing Painting: Warhol's Dollar Bill Paintings
Neil Printz

One Blue Pussy
Lucy Mulroney

Warhol's Animal Life
Anthony E. Grudin

Warhol's 1960s' Films, Amphetamine, and Queer Materiality
Juan A. Suárez

Chelsea Weathers

Warhol's Time Capsule 51
Matt Wrbican

To find out when the next issue will be available, see the Journals Publication Schedule.

Criticism Volume 56, Number 4, Fall 2014

Urban Panopticism and Heterotopic Space in Kafka’s Der Process and Orwell’s Nineteen Eighty-Four
Raj Shah

Gatsby’s Tattoo: Gesture, Tic, and Description
Alex Benson

“We fathom you not—we love you”: Wal  Whitman’s Social Ontology and Radical Democracy
Ryan Cull

The Great Criminal, the Exception, and Bare Life in James Joyce’s Ulysses
Stephanie Brown

Diogenes the Cynic and Shakespeare’s Bitter Fool: The Politics and Aesthetics of Free Speech
David Hershinow


Monstrous Intimacies: Making Post-slavery Subjects by Christina Sharpe
Kimberly Juanita Brown

California on the Breadlines: Dorothea Lange, Paul Taylor, and the Making of a New Deal Narrative by Jan Goggans
Joseph Entin

Martha Rosler: The Bowery in Two Inadequate Descriptive Systems by Steve Edwards
Erin Bell

Pragmatic Modernism by Lisi Schoenbach
Kate Stanley

The Novel and the Sea by Margaret Cohen
Colin Dewey

Full page:     $125.00        5” x 8”    
1/2 page:     $95.00          5” x 4”

Published 4 times per year

Issue Artwork Due
January October 15
April December 15
July February 15
September June 15


Print Subscriptions (for 1 volume year = 4 issues)

Institutions: $179.00
Individuals: $64.00
Students/Seniors: $29.00

Online Subscriptions (for 12-month access)

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Print + Online Subscriptions (for 4 issues + 12-month access)

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Individuals: $75.00
Students/Seniors: $41.00


An additional $60.00 is charged for postage to addresses outside the U.S.

56.3: Andy Warhol
56.2: Jack Smith: Beyond the Rented World


54.3: Shakespeare and Phenomenology

53.4: Transcultural Negotiations of Holocaust Memory
53.3: Open Source

52.3-4: The Wire
52.2: Honoring Eve: A Special Issue on the Work of Eve Kosofsky Sedgwick


50.1: Disco