A Quarterly for Literature and the Arts
Criticism provides a forum for current scholarship on literature, media, music, and visual culture. A place for rigorous theoretical and critical debate as well as formal and methodological self-reflexivity and experimentation, Criticism aims to present contemporary thought at its most vital.
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Criticism Volume 58, Number 4, Fall 2016
An Atlas of Allusions: The Perverse Methods of Guy Debord's Mémoires
Cadaverous Intimacies: Disgust, Desire, and the Corpse in Edgar Allan Poe's “Valdemar”
The Ghost in the Machine: Emotion and Mind–Body Union in Hamlet and Descartes
New Bourgeoisie, Old Bodies: Performing Post–Civil Rights Black Privilege in Tar Baby and School Daze
Candice M. Jenkins
Corporatizing Life in a World System with Thomas Pynchon: “Networks of Interest” and Dispersed Organization
J. Paul Narkunas
Kristin Flieger Samuelian on Enlightened Sentiments: Judgment and Autonomy in the Age of Sensibility by Hina Nazar
Stephen Schryer on Hollywood Melodrama and the New Deal: Public Daydreams by Anna Siomopoulos
Anne Freadman on Conversations on Peirce: Reals and Ideals by Douglas R. Anderson and Carl R. Housman
John Corso Esquivel on The Ethics of Earth Art by Amanda Boetzkes
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