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The Films of Jess Franco

Edited by Antonio Lázaro-Reboll and Ian Olney

Filmmakers, World Cinema

Contemporary Approaches to Film and Media Series

Printed Paper Cased
Available August 2018
ISBN: 9780814344934
Pages: 352 Size: 6x9
Illustrations: 30 black-and-white images
Paperback
Available August 2018
ISBN: 9780814343166
Pages: 372 Size: 6x9
Illustrations: 30 black-and-white images
eBOOK
Available August 2018
ISBN: 9780814343173

The Films of Jess Franco looks at the work of Jesús "Jess" Franco (1930–2013), one of the most prolific and madly inventive filmmakers in the history of cinema. He is best known as the director of jazzy, erotically charged horror movies featuring mad scientists, lesbian vampires, and women in prison, but he also dabbled in a multitude of genres from comedy to science fiction to pornography. Although he built his career in the ghetto of low-budget exploitation cinema, he managed to create a body of work that is deeply personal, frequently political, and surprisingly poetic. Editors Antonio Lázaro-Reboll and Ian Olney have assembled a team of scholars to examine Franco’s offbeat films, which command an international cult following and have developed a more mainstream audience in recent years.

Arguing that his multifaceted, paradoxical cinema cannot be pinned down by any one single approach, this edited volume features twelve original essays on Franco’s movies written from a variety of different perspectives. The Films of Jess Franco does not avoid the methodologies most commonly used in the past to analyze Franco’s work—auteur criticism, genre criticism, and cult film criticism—yet it does show how Franco’s films complicate these critical approaches. This volume opens up fresh avenues for academic inquiry by considering his oeuvre from a range of viewpoints, including transnational film studies, cinephilia studies, and star studies. The book effectively meets the challenge of Franco’s multidimensional cinema with multifaceted criticism—attentive to the shifting historical contexts, modes of production and consumption, and formats of Franco’s work—that supplements current Franco scholarship and suggests exciting new directions for its further development.

The Films of Jess Franco seeks to address the scholarly neglect of this legendary cult director and to broaden the conversation around the director’s work in ways that will be of interest to fans and academics alike.

Antonio Lázaro-Reboll is senior lecturer in Hispanic studies at the University of Kent (UK), where he teaches Spanish and European film. He is the author of Spanish Horror Film and co-editor with Andrew Willis of Spanish Popular Cinema. He has published several essays on the cross-cultural dialogue between Spanish horror and international traditions of the horror genre.

Ian Olney is an associate professor of English at York College of Pennsylvania, where he teaches film studies. He is the author of Zombie Cinema and Euro Horror: Classic European Horror Cinema in Contemporary American Culture, as well as numerous essays on European cinema and the horror film.

Contributors Include:
Alberto Brodesco, Will Dodson, Finley Freibert, Antonio Lázaro-Reboll, Xavier Mendik, Ian Olney, Vicente Rodríguez Ortega, Tatjana Pavlovic, Rubén Romero Santos, Nicholas G. Schlegel, Aurore Spiers, Glenn Ward, Andy Willis

Jess Franco directed films that are often seen as wild, eclectic, and undisciplined. The brilliance of this work is to make sense of Franco’s work without losing its energy or variety. This is a clear and coherent collection that features a diverse range of scholars who approach Franco with differing approaches and concerns. Most amazingly, this is a collection which manages to tread an almost impossible tightrope with ease: It remains rigorously academic without ever losing sight of the things that draw audiences to Franco’s films.

– Mark Jancovich, professor of film and television studies at University of East Anglia

Given its strong scholarship, breadth and depth of inquiry, and inclusion of diverse perspectives, this anthology is an invaluable resource for researchers on Franco, Spanish cinema, and cult film. I am truly impressed by the range and quality of this collection.

– Aviva Briefel, co-editor of Horror after 9/11: World of Fear, Cinema of Terror

This volume is an overdue collection of essays on a bizarre, iconoclastic, yet somehow enduringly consequential filmmaker: Jess Franco. Lázaro-Reboll and Olney’s volume is the best one yet in terms of offering a helpful range of methods, focal points, and evolving analyses to keep pace with such a dynamic, indefatigable, and endlessly mutating filmmaker.

– Tim Palmer, author of Brutal Intimacy: Analyzing Contemporary French Cinema