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Comic Venus

Women and Comedy in American Silent Film

Kristen Anderson Wagner

Film History, Women's Studies

Contemporary Approaches to Film and Media Series

Printed Paper Cased
Available March 2018
ISBN: 9780814345290
Pages: 314 Size: 6x9
Illustrations: 68 black-and-white images
Paperback
Available March 2018
ISBN: 9780814341025
Pages: 314 Size: 6x9
Illustrations: 68 black-and-white images
eBOOK
Available March 2018
ISBN: 9780814341032

For many people the term "silent comedy" conjures up images of Charlie Chaplin’s Little Tramp, Buster Keaton’s Stoneface, or Harold Lloyd hanging precariously from the side of a skyscraper. Even people who have never seen a silent film can recognize these comedians at a glance. But what about the female comedians? Gale Henry, Louise Fazenda, Colleen Moore, Constance Talmadge—these and numerous others were wildly popular during the silent film era, appearing in countless motion pictures and earning top salaries, and yet, their names have been almost entirely forgotten. As a consequence, recovering their history is all the more compelling given that they laid the foundation for generations of funny women, from Lucille Ball to Carol Burnett to Tina Fey. These women constitute an essential and neglected sector of film history, reflecting a turning point in women’s social and political history. Their talent and brave spirit continues to be felt today, and Comic Venus: Women and Comedy in American Silent Film seeks to provide a better understanding of women’s experiences in the early twentieth century, and to better understand and appreciate the unruly and boundary-breaking women who have followed.

The diversity and breadth of archival materials explored in Comic Venus illuminate the social and historical period of comediennes and silent film. In four sections, Kristen Anderson Wagner enumerates the relationship between women and comedy, beginning with the question of why historically women weren’t seen as funny or couldn’t possibly be funny in the public and male eye, a question that persists even today. Wagner delves into the idea of women’s "delicate sensibilities," which presumably prevented them from being funny, and in chapter two traces ideas about feminine beauty and what a woman should express versus what these comedic women did express, as Wagner notes, "comediennes challenged the assumption that beauty was a fundamental component of ideal femininity." In chapter three, Wagner discusses how comediennes such as Clara Bow, Marie Dressler, and Colleen Moore used humor to gain recognition and power through performances of sexuality and desire. Women comedians presented "sexuality as fun and playful, suggesting that personal relationships could be fluid rather than stable." Chapter four examines silent comediennes’ relationships to the modern world and argues that these women exemplified modernity and new womanhood. The final chapter of Comic Venus brings readers to understand comediennes and their impact on silent-era cinema, as well as their lasting influence on later generations of funny women.

Comic Venus is the first book to explore the overlooked contributions made by comediennes in American silent film. Those with a taste for film and representations of femininity in comedy will be fascinated by the analytical connections and thoroughly researched histories of these women and their groundbreaking movements in comedy and stage.

Kristen Anderson Wagner has written extensively on silent comedy. She teaches film studies in Northern California.

Kristen Anderson Wagner fearlessly capsizes conventional histories of comedy and cinema in this stirring analysis of the silent era’s unsinkable women comedians. The first book to explore and theorize the histories and meanings of these mostly-forgotten stars, Comic Venus makes the rough-and-tumble slapstick world come alive and changes the way we’ll teach and think about comic women and silent cinema.

– author of Pretty/Funny: Women Comedians and Body Politics, Linda Mizejewski

Kristen Anderson Wagner’s Comic Venus: Women and Comedy in American Silent Film is a significant contribution to the scholarship on silent cinema. Debunking the still too common cliché of women as "not funny," Wagner explores the false binary of beauty and humor that discourages and then obscures female comics. Wagner’s close examination of several key stars, extra-textual materials, and film/stage performance – with a careful demarcation of comic styles and genres—markedly points to silent era comediennes as disruptive forces of change across gender, sexuality, and class.

– Vicki Callahan, associate professor of cinema, University of Southern California

Comic Venus documents the work of an astonishing range of silent era comediennes, proving how central women were to early film comedy and how central film comedy was to rapidly evolving gender norms in the early twentieth century. An essential re-reading of silent comedy, long overdue.

– Shelley Stamp, author of Lois Weber in Early Hollywood and Movie-Struck Girls: Women and Motion Picture Culture after the Nickelodeon

This book is a gold mine of rich archival materials on silent film comediennes. Kristen Anderson Wagner establishes the profound impact of so many forgotten female clowns on the history of American cinema. Written in a witty, lively, and engaging style, Comic Venus is a must-read for anyone interested in the gender politics of comedy and media representation.

– Maggie Hennefeld, author of Specters of Slapstick and Silent Film Comediennes