Pages: 352 Size: 7x10
Professor Bell's extensive corpus will cause a great deal of discussion, as it should. The purpose of this collection is to provoke, and African American literary studies needs more scholarship that challenges the status quo.
— Darryl Dickson-Carr
Bearing Witness to African American Literature: Validating and Valorizing Its Authority, Authenticity, and Agency collects twenty-three of Bernard W. Bell’s lectures and essays that were first presented between 1968 and 2008. From his role in the culture wars as a graduate student activist in the Black Studies Movement to his work in the transcultural Globalization Movement as an international scholar and Fulbright cultural ambassador in Spain, Portugal, and China, Bell’s long and inspiring journey traces the modern institutional origins and the contemporary challengers of African American literary studies.
This volume is made up of five sections, including chapters on W. E. B. DuBois’s theory and trope of double consciousness, an original theory of residually oral forms for reading the African American novel, an argument for an African Americentric vernacular and literary tradition, and a deconstruction of the myths of the American melting pot and literary mainstream. Bell considers texts by contemporary writers like Toni Morrison, Alice Walker, William Styron, James Baldwin, and Jean Toomer, as well as works by Mark Twain, Frederick Douglas, and William Faulkner, In a style that ranges from lyricism to the classic jeremiad, Bell emphasizes that his work bears the imprint of many major influences, including his mentor, poet and scholar Sterling A. Brown, and W. E. B. DuBois. Taken together, the chapters demonstrate Bell’s central place as a revisionist African American literary and cultural theorist, historian, and critic.
Bearing Witness to African American Literature will be an invaluable introduction to major issues in the African American literary tradition for scholars of American, African American, and cultural studies.
Professor Bell's extensive corpus will cause a great deal of discussion, as it should. The purpose of this collection is to provoke, and African American literary studies needs more scholarship that challenges the status quo."
– Darryl Dickson-Carr, associate professor of English at Southern Methodist University
One of the most distinguished critic-theorists of African American literature and culture takes an assessment of his prolific writing career in this collection of interdisciplinary lectures and essays. Bearing Witness to African American Literature, as a result, offers a rich and inimitable feast of Bernard Bell's project concerning the time-honored saga of African American life and thought. For a range of ongoing critical inquiries in the field, Bell's work is bracingly indispensable.
– Hortense J. Spillers, Gertrude Conaway Vanderbilt Chair in English at Vanderbilt University
Bell’s anthology of his own writing, collected over several decades, is an important testament to the ongoing, post-civil rights movement history of black American literature and its complicated relationship to African American identity, history, and sociopolitics. The writing is sophisticated and the anthology is replete with scholarly research and discussion, as well as considerable personal anecdote and experience, a feature that makes this book quite special given the wealth of historical experience divulged in the personal experience of the author.
– James Gifford, et al, Years Work In English Studies